this is the personal website of Natalija Paunić, contemporary art curator, writer and mediator.

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Natalija is especially interested in non-academic, informal and experimental approaches to writing, curating and architecture, as well as how critical thinking, art and theory affect our personal lives. She supports and develops projects that are concerned with ecology, luxury, waste, capitalism, accelerationism, feminism and, above all, love.

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She is the founder of Kunstverein Autokomanda -- autokomanda11010.com.

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She worked as an advisor to Lukowa art collection in Lucerne, and developed the nomadic exhibition platform Vozdovacka galerija (2018-2022) that operated within unconventional spaces in Belgrade.

 

She was a mediator for documenta 14 in Kassel, curator for British Council WB Future Ecologies project in collaboration with LUX Moving Image (London), tutor for Confluence Paris / Biennale Sessions (Venice) with architect Davor Eres and Sara Stankovic, and has collaborated on projects at Kunsthaus Dresden, National Gallery of North Macedonia (with Sejla Kameric), Dom Omladine (Belgrade),Youth Biennale (Zagreb), Feminist Duration Reading Group for Belgrade Biennale, EASA Denmark (Fredericia), Enclave Projects (London). She used to teach at University of Belgrade, Faculty of Architecture with prof. Vladimir Milenkovic, and doc. Davor Eres prior to that. She has contributed, with her writing, to projects such as: Identity Crisis Network (Zagreb conference), Commons / Goethe Institute (final reader, Belgrade), Mother is a bitch / Sejla Kameric (Distanz, Berlin), Projects are prophecies, prophecies are projects (British Council, with Luca Lo Pinto, Jeanne Graff, Stine Deja, Cecile B Evans), Spike magazine - interview with Anna-Sophie Berger, Ferma - Gabija Grusaite, curated by Francesco Urbano Ragazzi (Sariai, Lithuania, for Loophole Magazine). 

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